It has been a few months since I've posted to the FIREWATER IMAGES blog. Fire season has ended along with the passing of summer, an autumn, which distinctly has the feel of winter, has begun, and I've completed a month long cruise on my 30 sailboat. It is that cruise which has provided the images presented here.
I've been working in the FIREWATER blog and have posted the story of the cruise and many more photographs there. All told over 1,500 images were shot over the course of the month long cruise. About half of what I'd really like to have. The 12 part installments of the cruise used approximately a hundred of those photos. Here I offer the twelve photographic images, which through their composition, use of light, subject matter and energy, passed the test and can stand as independant photographs.
GULLS ON DOCK, NEWCASTLE ISLAND, NANAIMO B.C.
I was delighted to find this image in the camera. Of course I had taken a number of shots with this curious gull searching the docks. Patience paid off as the bird walked further onto the dock it's shadow appeared on the hull of CANNIBAR, the sailing vessel moored adjacent to us. The crisp lines of the vessels brightwork, white hull and triangle of blue water all add to the overall composition of this image.
If you've followed the FIREWATER blog and the cruise some of these images will be familiar but not this one entitled SUNSET OVER CANADIAN GULF ISLANDS. There was another photograph of this sunset with the Patos Lighthouse that I used in the story since it fit so well. Yet I knew this picture was special. It may be the best sunset shot I've had the pleasure of capturing. That warm, red glow almost kissing the water in the center of the image in the distance against a far island really makes this shot work.
This image SAILING THRU PEAVINE PASSAGE, SAN JUAN ISLANDS captured the feel of the late summer, early morning passage which we were making that day. There is a texture to the water, the mists, the landscapes and morning sunlight that inter-acts together rendering this image and setting it apart from the rest of the photographs of that day.
SCULPTED SANDSTONE OF PATOS ISLAND; again it is the textures that pull me into this photograph. Thousands of years in the making this twisted, contorted, scuplted rock is facinating subject material. Wind and waves over the course of time is the true artist here. I am fortunate enough just to have been there, seen it and taken the photograph.
The artwork of the Salish people has always facinated me. The recodring and telling of stories in such strong imagery...
TO BE CONTINUED SOON Saturday, 11.07.09 Foster